Toronto’s Sacrifice is definitely on my list of metal bands that should have been bigger. 1985’s “Torment in Fire” is the first wave black metal classic, and 1987’s “Forward To Termination” is a thrash metal classic that is easily on par or better than many of their peers from the Golden Age Of Metal. Despite playing the right kind of music at precisely the right time and quite well, mainstream success was in the cards for Sacrifice.
The band released a few more albums in the early 90s, then broke up and reformed in 2008, and is still active today.
Newly released on Blessed Curse Recordings comes an excellent treat for a fan of this band. “Sacrifice – Live At The Starwood Club Toronto Nov 23, 1985” documents the band (as the title would suggest) — Sacrifice playing a live set very early in their career between the release of “Torment in Fire” and “Forward To Termination“.
New Live Album 2022
All of the songs are selections from “Torment In Fire” and are as follows:
TURN IN YOUR GRAVE
BURNED AT THE STAKE
Listen On Youtube
The recordings are rough and raw but are far from terrible. Unfortunately, there are only 500 copies of this album available, and they are hand-numbered, so grab one while you can.
Our store is now open, and you can grab a copy there.
We decided to take a chance and drive an hour outside of LA to catch Napalm Death playing with Final Conflict at Transplants Brewing Company in Palmdale, CA, on April 15, 2022. I wasn’t sure what to expect from the venue, but I have to say I was thoroughly impressed. Transplants Brewing Company is easily better than EVERY venue in Los Angeles right now. There was plenty of free parking (as opposed to the $30 many venues in LA charge), 7$ beers brewed in-house, a friendly staff, and the place has a great sounding room. If you live in LA, it is definitely worth the trip.
A local support act was on the bill and was actually pretty good, not life-changing good, but they were decent. I wanted to link to a place where you could find their music, but because of the crazy death metal font they used for their logo, I have no idea what the band’s name was (see flyer below). If anybody knows, feel free to drop it in the comments.
Next up was Final Conflict from Long Beach, CA. Palmdale was a one-off show, as Napalm Death continues their US tour with Arch Enemy and Behemoth starting in Tempe. I don’t know a ton about Final Conflict other than the fact they’ve been around forever, and I was familiar with some of their better-known songs. The band consisted of only one original member (Jeff Harp on guitar) and was backed up by Anthony Robles and Nick Manning, who play with a number of other punk rock bands, including DI.
Final Conflict dished out some competent Cro-mags style punk/hardcore that was well received by the crowd and got the mosh pit swirling at a furious pace. Again, nothing life-changing but delivered in such a professional manner; you can’t put it down either – especially considering the ages of some of the long-time members.
Next up was English grindcore legends Napalm Death, who, if you want to get technical about it, consist of no original members. However, the current line-up has remained relatively steady since the early 90s. Guitarist Mich Harris does not tour with the band, and sitting in for him is touring guitarist John Cooke who, in my opinion, is not that good, but because of the nature of grindcore music, his sloppy playing doesn’t take much away either.
That band delivered a blistering set, consisting of a lot of material from their last two releases Apex Predator – Easy Meat (2015) and Throes of Joy in the Jaws of Defeatism (2020), as well as quite a few classics from the 80s and 90s with two cover songs (including the Dead Kennedy’s “Nazi Punks Fuck Off”). Bassist Shane Embury is an absolute monster, and drummer Danny Herrara is one of the best skinsman in the business. The duo is a formidable rhythm section. Vocalist “Barney” Greenway hasn’t lost a thing over the years vocal-wise and may have even improved. Unfortunately, his stage presence is a bit goofy, and he often looks like he’s having a seizure as he dances on stage. In addition, some of his far-left rants between songs leave a lot to be desired and make me thankful I can’t understand the lyrics on their recordings. If you could make out what he was saying, I imagine it would sound like the rantings of a possessed MSNBC host.
Napalm Death hasn’t lost a thing over the years and solidly deserve their position as the biggest band in grindcore because they play this form of music better than everyone.
Catch them on tour with Arch Enemy and Behemoth in these cities through May.
Napalm Death On Tour With Behemoth and Arch Enemy
Sat 16.04.2022 Tempe, AZ – Marquee Theatre Mon 18.04.2022 San Antonio, TX – The Aztec Theatre Tue 19.04.2022 Dallas, TX – Amplified Live Thu 21.04.2022 St Petersburg, FL – Jannus Live Fri 22.04.2022 Atlanta, GA – The Eastern Sat 23.04.2022 Charlotte. NC – The Fillmore Charlotte Mon 25.04.2022 Toronto, ON – Rebel Tue 26.04.2022 Montreal, QC – Mtelus Thu 28.04.2022 New York, NY – Terminal 5 Fri 29.04.2022 Philadelphia, PA – The Fillmore Philadelphia Sat 30.04.2022 Worcester, MA – Palladium Mon 02.05.2022 Chicago, IL – The Riviera Theatre Wed 04.05.2022 Denver, CO – Ogden Theatre Sat 07.05.2022 Salt Lake City, UT – The Depot Mon 09.05.2022 Seattle, WA – Showbox SoDo Tue 10.05.2022 Vancouver, BC – Vogue Theatre Wed 11.05.2022 Portland, OR – Roseland Theater Fri 13.05.2022 Berkeley, CA – The UC Theatre Sun 15.05.2022 Los Angeles, CA – The Hollywood Palladium NAPALM DEATH U.S. headline shows: Wed 13.04.2022 Fresno, CA – Strummers + Elder Devil Thu 14.04.2022 San Diego, CA – Soda Bar + Deaf Club Fri 15.04.2022 Palmdale, CA – Transplants + Final Conflict Wed 27.04.2022 Syracuse, NY – The Lost Horizon + Fed Ash Tue 03.05.2022 St. Paul, MN – Turf Club + Pig Destroyer Fri 06.05.2022 Grand Junction, CO – Mesa Theater + Unto Others
Reviews of albums are not something I typically delve into on this site. However, when bands issue new albums that are essential metal, I will drop an album review. The last one I did was for Mastodon’s Hushed and Grim. This time in the crosshairs is Midnight’s Let Ther Be Witchery.
Let Ther Be Witchery is the 6th official studio album from the Ohio punk/black metal trio Midnight. The easiest way to explain Midnight’s sound is they are a modern-day Venom. I love Midnight because they bring back the first wave of black metal — explored in the early 80s by bands like Venom, Sodom, and Celtic Frost with a tinge of punk added to the mix.
The band’s 2011 Satanic Royalty is a 100% metal classic, in my opinion, and sets a high bar. So let’s see how the new album stacks up to previous efforts.
First off, the production is solid. Everything is dialed correctly, and the sound is crisp and clean without being overproduced while still retaining the band’s dirty sound.
Let There Be Witchery Track By Track Review
The opener “Telepathic Nightmare” does a great job setting the tone for the album and includes some excellent Tom G. Warrior-style guitar bends. Track 2 is “Frothing Foulness”, a heavily Venom-influenced number that clocks in at less than 3 minutes. None of the ten songs pass the 4-minute mark, so this isn’t an album for fans of epic-length nerd metal.
“In Sinful Secrecy” comes next and has an Omicron-catchy riff with an almost classic rock feel that will stick in your head for sure. Unfortunately, “Nocturnal Molestation” comes next and is one of the weaker tracks on the album. One criticism of Midnight is sometimes their tongue-in-cheek lyrics work, and other times they do not.
Track 5 is “More Torment” and is easily my favorite track on the album. The song features a memorable ultra-heavy riff that reminds me of Celtic Frost in their prime. Unfortunately, I recently saw Midnight in Los Angeles, and while they played many songs from this album, this song was inexplicably omitted from the setlist! If someone in the band is reading this review, this is something you should fix!
Track 6, “Let There Be Sodomy” is the second-best track, even though the lyrics are silly. The main riff is incredible and reminds me of my favorite song from this band, “You Can’t Stop Steele.” Next, in track 7, “Dead Virgin.” the band goes into some Merciful Fate territory – with some traditional heavy metal riffs and even one riff that sounds lifted directly from “Black Funeral” on Melissa.
Next is “Snake Obsession” and is a Motorhead sounding track. It is one of the more forgettable tracks on the album. The second to last track, “Villany Wretched Villany,” is a fun, memorable song that stands out on the album with some Tunbonegro and Scorpions influences.
The final track, “Szex Witchery” is a great way to end the album and will undoubtedly leave the listener wanting more. It features some excellent NWOBHM style riffs and ends with a doomy harmony guitar outro. Interestingly, one thing common to Midnight albums is that even though the band is a trio, there are many overdubs on the guitar parts. However, having just seen the band live, guitarist Shaun Vanek is skilled enough to make it sound whole in concert. Props to him on that.
Midnight Final Verdict
All and all, Let Ther Be Witchery is a great album and is well worth checking out, especially if you are a fan of first-wave black metal like I am. It’s not as good as Satanic Royalty, which seems to be the band’s high-water mark to this point, but is much better than 2019’s Rebirth by Blasphemy (also on Metal Blade).
The only place I can take points away from Midnight is: 90% of what they do has already been done by Venom in the 80s. There are even recordings of Midnight covering Venom songs in outtakes, so it’s not like they try to hide the influence. That said, they take everything Venom did and bring it up a notch for the 2020s, and that alone makes Midnight my favorite “new” band playing metal today!
The original owner was a younger guy, but the entire collection consisted of 20% from the Golden Age Of Thrash Metal and 80% from the 90s peak of death metal. 95% of these albums are reissues, but a few first are pressings that include “Slowly We Rot” and “Cause Of Death” from Obituary.
Even some of the reissues can be shockingly expensive due to the 7-12 month delays in vinyl production that is now plaguing the music industry.
I have cataloged the inventory from this purchase below. If you are looking to buy any of the entries listed can do so at ThrashMetalIQ on eBay.
I searched my inventory and pulled everything in my collection with a value above 200 dollars — hence, the strange number of 14 items in this list. In the video in this post, you can see the walk-thru of my top picks. In addition, I included a list below with pictures and comments on each record and approximate value.
Most of the 14 vinyl that made this list are either metal or punk; however, there were a few oddballs from different genres.
The Truth About Discogs Median Value
I did not look at the Discog’s median valueand accept it as gospel. It’s true, Discogs is one of the seven wonders of the internet; however, just going on median value is very deceptive, and here’s why:
Discogs calculates value based on the album’s limited sales on Discogs. If an album is ordinarily worth $100 and somebody sells a fair copy with no cover for $5, this sale is factored in and drags the price down. Conversely, if someone sells an album sealed or autographed copy for far more, it will skew the median up. However, copies are more often sold in poor condition, so that the value will typically skew lower.
Much of the Discogs data is old. Discogs is a big market for vinyl, but it is nowhere near the size of eBay. Therefore, a lot of the information it uses to calculate the value of an album can be as much as 21 years old and based on only a limited number of sales. As we all know, albums appreciate, inflation is real, and the vinyl market changes. None of this is factored into the Discogs median value.
Most sellers on Discogs are not in the United States. Since the site’s algorithm is not very sophisticated, it is easy to game the rankings by inflating shipping costs. If you are in the US, try to buy an album for even close to the listed median value listed – 99% of the time you can’t!
List of Our 14 Most Expensive Punk and Metal Vinyl LPS
Here is the list of the 14 punk/metal vinyl albums from the video at the top of this post. I included the price and a couple of random notes about each.
1. She Wants Revenge – She Wants Revenge LP 2006 Flawless Records B000614801
I’m not exactly sure why this one is worth so much. Even copies in crappy condition seem to be going for $600. Copies of this album in excellent condition go for $1000 and sometimes higher. If anyone knows why this one is so pricey, please leave some info in the comments because I can’t figure it out.
Value: $1000 USD
2. Descendents – Cool To Be You LP 2004 Fat Wreck Chords FAT672-1 Blue Vinyl
This usually isn’t a super expensive album, but the limited first pressing on blue vinyl is worth a pretty penny.
This album usually sells for around $300. This copy was owned personally by Glenn Danzig and is factory sealed.
VALUE $600 USD
4. Rich Kids On LSD – Rock N Roll Nightmare LP 1987 Alchemy VM104
I usually don’t include autographed albums because it is such a subjective value. Even unsigned, this album is $300-$400 if the comic book is included and in good condition. However, I included this one with the autographs because everyone in this band is pretty much dead.
VALUE $500 USD
5. Pantera – Power Metal LP 1988 Metal Magic Records – MMR-1988
According to the band, this album is completely out of print and will never be repressed or reissued, making original copies worth a ton. Despite the corny hair metal image, “Power Metal” is a solid album that rivals some of the band’s later output.
VALUE $400 USD
6. Verbal Abuse – Just An American Band LP 1984 Fowl Records – #5
Punk/hardcore done to perfection. You know you are doing something right if Slayer does a cover album (Undisputed Attitude) featuring six songs from this alum. There are many bootlegs and represses of this album. First pressing like this are extremely rare.
7. Queens Of The Stone Age – Queens Of The Stone Age LP 2010 Rekords Rekords
This is another one that caught me off guard because this pressing is a 2010 reissue of 1998 debut with a different cover. Original presses go for over a thousand dollars, and the represses are not cheap either.
VALUE $300 USD
8. Samhain – November-Coming-Fire LP 1986 Plan 9 – PL9-07
Probably my favorite album Danzig ever recorded and one of the many featuring his vocals to make this list.
Unlike the Samhain album listed at #8, this is from my least favorite techno/electronic period ofGlenn Danzig’scareer. Even so, these limited edition picture discs are worth a pretty penny, and people seem to buy them.
Probably one of my favorite metal albums of all time – Carnivore’s “Retaliation” still stands up to this day, yet could have never come out in today’s politically correct “woke” climate. But, like virtually everything after the death of Peter Steele in 2010 – the value has gone up dramatically.
I am always looking to buy new heavy metal and punk rock records, vinyl, and CD collections and I pay top. dollar for great collections like this. If you have metal or punk vinyl like this to sell, contact me at the info listed below.
CD and album reviews are not anything this site usually takes on; however, Hushed and Grim is one of the most anticipated heavy metal releases of 2021. As soon as it came out, I saw all other metal blogs racing to be the first to weigh in on the 8th full-length release from the Atlanta prog metal quintet. So I decided to hold my thoughts and take some time before publishing my opinion.
Full disclosure, I have been friends with Brent Hinds and Troy Sanders since I was 18 (and so were they) and had known Braun and Bill for the better part of two decades. Even coming up in the Atlanta music scene with these guys, I never was a serious fan until Blood Mountian. I felt they hit their stride on this album. The subsequent Crack The Skye is an absolute metal masterpiece.
The album’s following also had moments of greatness, and the focus on Braun Dailor’s vocal added a whole new dimension to the band’s sound.
So What About Hushed and Grim?
At over 86 minutes in length with 15 songs, Hushed and Grim is far from easy listening. There is a lot to unpack. A common thing I’ve heard from many of my friends is, “I listened to the whole thing the day it came out and thought it was great and then never listened to it again.” Oddly enough, I found myself doing the same thing. That said, is Hushed and Grim a disappointment?
Not at all.
Let’s start with the good points. One notable element is Troy Sander’s bass playing that has sat in the back over the past few releases is now pushed up much louder in the mix, and his playing jumped up a notch, even boasting a bass solo on “Teardrinker.” Troy even penned 4 of the tracks after taking a backseat on songwriting duties for much of the last decade.
Brent Hinds shines, as usual, with many tasty guitar solos done in a style that is all his own. One of my favorite tracks on the album is “The Beast,” a Brent composition and features some excellent Jimi Hendrix-like guitar parts you rarely hear in metal.
For me, the standout track is the first single, “Teardrinker,” which is somewhat commercial and incredibly catchy. “Skeleton Of Splendor” is a close second and ventures in some fantastic, atmospheric stuff similar to my favorite Mastodon song, “The Czar.” The opener “Pain with an Anchor” and the second single, “Sickle and Peace,” are also great.
Once you get into the second half of the album, it does start to drag, especially near the end.
All in all, the album is well worth a listen; you might want to make a playlist of the songs you really like and maybe not listen to some of the rest.
Hushed and Grim Full Album Stream
That concludes my first album review. I hope you liked it.
The self-titled Bathory LP (Bathory – Bathory LP 1984 Black Mark Production – BMLP 666-1) with the “yellow goat” album cover is considered one of the “holy grail” scores for heavy and black metal record collectors the globe over. But, unfortunately, it is also one of the most counterfeited records out there because of its value. So let’s find out how not to get fooled into buying a fake, or if you don’t have thousands to spend — what a replica is worth.
Why Is This Album So Valuable?
The first album from Bathory is a landmark album from the metal genre. While it sounds recorded in a garage, it became the template for countless black metal bands afterward. The first thousand copies were pressed independently on Quarthon’s Black Mark Productions with a gold-colored goat on the front cover before being picked up by Combat and Under One Flag for broader distribution. The first press with a yellow goat can fetch $5,000 or some for an authentic copy.
FUN FACT: The original goat was supposed to be gold, but due do budget issues, the fledgling Black Mark Productionslabel had to settle for yellow.
How To Spot A Fake Bathory Album
The iconic artwork for this album is very simple. Therefore there are some very convincing knockoffs available in various markets. Listed below are the main things to be looking for:
Examine the dead wax or the “runout matrix” on the album. It is the engraving in the vinyl after the playing surface. The engraving in a real copy should read as follows on Side A (“Darkness”): 840905GP with BMLP 666 1 A PD-CR Pentagram image] [666 image in pyramid shape] and then on Side B will have this etching 840905GP BMLP 666 1 B PD-CR [Cross image]
The most prolific bootlegs came out in Europe in the mid-1990s. The most common runouts are 666-1, or you may see some copies with nothing in the dead wax at all.
Most of the original pressings came with a printed inner sleeve. However, these can also be faked. Also, some authentic copies may be short an inner sleeve if the original owner lost it.
If the album looks “too new” you should look more carefully. Remember that this album came out in 1984 and is 37 years old at this point. You should expect to see some wear.
If the color looks “wrong”, it is likely a fake. This is a common problem among cheap bootlegs.
Despite how rare this album is and eBay’s policy to not allow the sale of counterfeit albums, there always seem to be 2-3 copies available for $2200-$2500 at any given time. Most likely, they are not authentic, but here is how you stay safe if you want to spend big money.
Contact the seller and inquire about the runoutmatrix. If they don’t respond or refuse to provide it, you should hard pass. You can also request they provide pictures, though they can be difficult to see.
Whether on Discogs or eBay, look for a reputable seller that has many reviews and a lot of items for sale — not someone who could pack up and disappear overnight.
If the seller does not accept returns, you should not buy from them.
As I said, this iconic album artwork is quite basic. Here are some pictures from one of the common European bootleg pressings. Notice how tough it is to tell if it is fake or authentic.
How Much Is A Yellow Goat Bootleg Worth?
If you want to have a yellow goat Bathory, but don’t feel like forking out two grand, it is totally understandable. If you can get past the moral dilemma of not paying the Quarthon estate, you can get replica copies for 50 bucks, sometimes less.
Krabathor – Cool Mortification CD 1993 Monitor – 010174-2331 (Czech Republic) – This CD is rare and HEAVILY counterfeited — there are very few real ones floating around. Some counterfeits even mimic the runout matrix, but if the ring does not look exactly like this, it is fake.
SOLD 9/11/2021 – $199.95
2. Morpheus Descends – Ritual Of Infinity CD 1992 JL America – 3815-41012-2
Morpheus Descends – Ritual Of Infinity CD 1992 JL America – 3815-41012-2 – This is a another heavily bootlegged CD, but the 1992 first press with this runout Matrix / Runout (Variant 1): W.O.# E35739-1 *MANUFACTURED BY AMERICAN HELIX* CD 0400313815-41012-2 is worth a mint.
SOLD 8/1/2021 – $149.95
3. A.C. – It Just Gets Worse CD 2003 Earache – MOSH 195CD Original Factory Sealed
Anal Cunt – It Just Gets Worse CD 2003 Earache – MOSH 195CD – This is more than what this CD usually fetches (usually $50-$70), but this copy was factory sealed made it slightly more expensive. The fact Seth Putnam and the gang are canceledfrom metal continues to drive Anal CuntCD price northward.
SOLD 6/7/2021 – $129.95
4. Iron Maiden – Tailgunner CD Single 1990 Epic – ESK 2233 PROMO
Iron Maiden – Tailgunner CD Single 1990 Epic – ESK 2233 PROMO – With no cover art (comes as disc only), the mega-rare Iron Maiden radio promo is worth a pretty penny.
Sold 8/8/2021 – $99.95
5. Sanctuary – Into The Mirror Live / Black Reflections CD 1990 Epic– ESK2188 PROMO
Sanctuary – Into The Mirror Live / Black Reflections CD 1990 Epic– ESK2188 PROMO -Worth so much because: 1000 copies were manufactured and 500 were distributed to radio stations / stores. The other 500 were destroyed due to contractual issues with the label.
SOLD 6/12021 – $99.95
6. Nasty Habit – Rock Hard CD 1991 American Records – 1439-2
Nasty Habit – Rock Hard CD 1991 American Records – 1439-2 – Honestly, I have no idea why this CD is so expensive, but it didn’t sit on the shelf long.
Accidental Suicide – Deceased CD 1992 Grind Core – 89811-2 – Very rare self-release grindcore. This copy sold for a lt because it was factory sealed, but any copy is worth at least 50 bucks.
SOLD 5/5/2021 – $98.72
8. Death – Scream Bloody Gore CD 1987 Combat – 88561-8146-2 (FIRST PRESS)
Death – Scream Bloody Gore CD 1987 Combat – 88561-8146-2 – The first press and the repress if this album has the same catalog number. The first pressing lists all of the song titles straight in a row. The repress says “Side A / Side B” on the rear card.
SOLD 4/4.2021 – $98.69
9. Gutted – Gutted CD 1997 Loud N Local Music Group – LNLMG9701-2
Gutted – Gutted CD 1997 Loud N Local Music Group – LNLMG9701-2 – The original indie release is the one that’s worth big money. It was later reissued by the Greek label Repulsive Echo.
SOLD 6/1/2021 – $96.94
10. Gorguts – Considered Dead CD 1991 R/C Records – RCD 9273
Gorguts – Considered Dead CD 1991 R/C Records – RCD 9273 (ORIGINAL RARE) – Like many CDs from the golden age of death metal, this one is worth a bunch and does not stick around long.
SOLD 7/7/2021 – $95.95
11. Immolation – Stepping On Angels…Before Dawn CD 1995 Repulse Records RPS 004 CD
Immolation – Stepping On Angels…Before Dawn CD 1995 Repulse Records RPS 004 CD – Another winner from one of the more prominent bands from the 90s golden age of death metal.
SOLD 3/3/2012 $95.41
14. Immolation – Dawn of Possession CD 1991 R/C Records RCD 9310
Immolation – Dawn of Possession CD 1991 R/C Records RCD 9310 – ORIGINAL PRESS – Debut CD from Immolation and second title from this band to make this list.
SOLD 5/5/2021 – $92.23
15. Dawn – Slaughtersun (Crown Of The Triarchy) CD 2004 Necropolis 44021-2
Dawn – Slaughtersun (Crown Of The Triarchy) CD 2004 Necropolis 44021-2 – I don’t know much about this band.
SOLD 2/1/2021 – $89.96
16. Iron Maiden – No Prayer For The Dying CD Single 1990 Epic – ESK 73695
Iron Maiden – No Prayer For The Dying CD Single 1990 Epic – ESK 73695 – Another super rare 3-song radio, which includes two unreleased cover tunes.
SOLD 7/21/2021 – $89.95
17. Bruce Dickinson: Killing Floor / King In Crimson CD CMC International
Bruce Dickinson: Killing Floor / King In Crimson CD CMC International RARE PROMO – Another very rare and valuable radio promo with only one song from the Iron Maiden frontman.
SOLD 8/28/2021 – $87.95
18. Transgressor – Ether For Scapegoat CD 1992 Cyber Music – CYBER CD 03
Transgressor – Ether For Scapegoat CD 1992 Cyber Music – CYBER CD 03 NETHERLANDS = Another band I don’t know a ton about other than their CDs are worth a bunch.
SOLD 4/21/2021 – $82.95
19. Scorpions – Virgin Killer CD 1989 RCA – B20D-41012
Scorpions – Virgin Killer CD 1989 RCA – B20D-41012 Japan /w OBI Banned Cover – Japanese version with the original banned artwork – super valuable and out-of-print!
SOLD 6/20/2021 – $74.95
20. Seance – Fornever Laid To Rest CD 1993 Black Mark Production – BMCD 17
Seance – Fornever Laid To Rest CD 1993 Black Mark Production – BMCD 17 – Very rare release on Quarthon’s from Bathory’s Black Mark label.
SOLD 6/21/2021 – $74.95
21. Massacre – From Beyond CD 1991 Relativity – 88561-2038-2
Massacre – From Beyond CD 1991 Relativity – 88561-2038-2 – Death alumni’s minus Chuck. This CD has Very sought after.
SOLD 3/3/2021 – $74.61
22. Dismember – Like An Ever Flowing Stream CD 1992 Nuclear Blast – IMP. NBA 6018
Dismember – Like An Ever Flowing Stream CD 1992 Nuclear Blast – IMP. NBA 6018 – This CD has been reissued many times, but the first press in the one that is worth money.
SOLD 1/2/2021 – $73.71
23. Burzum – Det Som Engang Var CD 1997 Misanthropy Records – AMAZON 002
Burzum – Det Som Engang Var CD 1997 Misanthropy Records – AMAZON 002 – DIGIPAK – For some reason, you are forbidden from using the word “Burzum” on eBay. Still, if you search for “1Burzum” you are likely to find the entire catalog.
SOLD 4/4/2021 – $69.95
24. Dark Forest – Land Of The Evening Star CD 2012 Bleak Art Records BAR011
Dark Forest – Land Of The Evening Star CD 2012 Bleak Art Records BAR011 Canada – Rare Canadian death metal.
25. Dominus Xul – The Primigeni Xul (I Condemned My Enemies) CD 1999 Picoroco CHILE
Dominus Xul – The Primigeni Xul (I Condemned My Enemies) CD 1999 Picoroco CHILE – Last but not least.
SOLD 2/1/2021 – $59.95
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The video below is just a portion of a rare metal and punk vinyl collection I valued at approximately $120,000. I recently bought it from a private collector here in Los Angeles.
This epic record collection consisted of around 3500 12″ LPs and 1000 7″ singles. Since the start of COVID, most of the records I have been buying have all been internationally, but this collection I found locally in Los Angeles. After some negotiation with the seller, this purchase was by far my largest, which I picked up for $67,000.
The Anatomy Of A Deal
In the weeks leading up to the purchase, the seller allowed me to appraise the albums one by one (which took me over a week to do). I entered them all in notebooks. You can see an example of my appraisal below.
Albums are hot right now. Unfortunately, some collectors have an unrealistic idea of what they are worth, but as a buyer, you need to spend a lot of money to buy good collections of rare metal and punk albums. Therefore, I tailor my offers to be at least 50% of the total value as a rule of thumb. I am negotiable up to roughly 60%, but it can be higher under rare circumstances. Above 70% of the total value, the seller would make the same amount of money selling them on eBay individually.
Also, remember that even if the seller were selling it to another party that wasn’t a reseller, the buyer wouldn’t pay the total price for every album; there would be some discount.
Here are some photos from the gem vinyl in the video above. The first video is less than 20% of the collection. I will update this post or create a new one to showcase some of the records. Unfortueny, I can’t make a complete list as I did here of all of them, but feel free to contact me if you are looking for something specific.
Some of the my favorite pieces in this collection are as follows. I have timestamped some of the links to take you to exactly the spot in the video where these metal and punk LP appear.
The Testament, Exodus and Death Angel“The Bay Strikes Back” Tour has been postponed until April 2022, citing the Delta variant of COVID 19. Testament guitarist Alex Skolnick, who is a notorious Libtard, complains “The type of disruptions Kiss and other large outdoor venue tours have experienced could cause our shows to be permanently cancelled – a lose/lose for everyone.”
The guitarist continues…
“The fact that a lower budget tour such as ours is limited to indoor venues with tight backstage space only adds to the risk. It should go without saying that calling off these dates was a ‘last resort’ decision, and everyone involved would much rather this weren’t the case. However, this is the new reality we’re all in.”.
We are quite sure that by 2022, there will be another wave of COVID that will just push this tour back even further. This is the clown world we are living in. It is worth noting, all three bands seem fine with braving the pandemic for a day to play the Aftershock Festival in San Francisco.
2022 The Bay Strikes Back Tour Dates
The rescheduled 2022 tour dates are as follows.
4/9 – San Luis Obispo, CA – Fremont Theater 4/10 – Anaheim, CA – House of Blues 4/12 – San Diego, CA – House of Blues 4/13 – Las Vegas, NV – House of Blues 4/15 – Tucson, AZ – Rialto Theatre 4/16 – Albuquerque, NM – Sunshine Theater 4/19 – Oklahoma City, OK – Diamond Ballroom 4/20 – Houston, TX – White Oak Music Hall 4/21 – Austin, TX – Emo’s 4/22 – Dallas, TX -Amplified Live 4/23 – New Orleans, LA – House of Blues 4/26 – Atlanta, GA – The Masquerade 4/27 – Raleigh, NC – The Ritz 4/30 – Sayreville, NJ -Starland Ballroom 5/1 – Baltimore, MD – Soundstage 5/2 – Boston, MA – House of Blues 5/3 – Philadelphia, PA – Theater of Living Arts 5/5 – Huntington, NY – The Paramount 5/6 – Buffalo, NY – Town Ballroom 5/7 – Cincinnati, OH – Madison Theater 5/9 – Pittsburgh, PA – Stage AE 5/10 – Cleveland, OH – The Agora 5/11 – Columbus, OH – Newport Music Hall 5/12 – Detroit, MI – The Majestic Theatre 5/14 – Joliet, IL – The Forge 5/15 – Joliet, IL – The Forge 5/17 – Minneapolis, MN – Skyway Theatre 5/19 – Denver, CO – Summit 5/20 – Salt Lake City, UT – The Depot
Also reporting difficulties touring is Heathen, saying smaller bands like themselves were unlikely to even find a place on the touring circuit.