On May 19th, 2023, the killer triple bill of Obituary, Immolation, and Blood Incantation came to the Fonda Theatre in Hollywood, a fantastic venue. I would love it if they hosted more metal shows there. Unfortunately, the concert started exceptionally early, so I missed the fourth band on the bill.
I got there just as Colorodo’s Blood Incantation took the stage. It was my second time seeing them (the first was Psycho Vegas), and I got there early to catch their set as they are one of my favorite “new” death metal bands. So if you ever get to catch Blood Incantation, you absolutely should. Even though their most recent experimental ambient album, Timewave Zero, was a misstep, their previous efforts are top-notch.
Live, this quartet is even better than recorded and much heavier than you’d expect. Blood Incantation’s music has a lot of dynamics, and the fact they are not blaring at ten through the set and splitting the brutality up with guitar harmonies, cleaner sections, and psychedelic parts makes the neck breaker riffs hit much harder.
I can’t say enough good things about this band, and they should have been higher on the bill.
Blood Incantation Setlist
The Giza Power Plant
Slave Species of the Gods
New York’s Immolation has been around forever and, in my opinion, has never been much more than a third-tier death metal band. I had seen them previously opening for Exhorder as a three-piece. Sadly, their performance that night did little to change my mind.
Their riffs got the crowd going, but their set was still boring, aside from a few songs they played from Dawn of Possession. The band has an awkward stage presence, with one guitar player looking like he’s falling asleep, flanked by another with some of the most ridiculous stage moves I’ve ever seen.
An Act of God
The Age of No Light
Under the Supreme
Let the Darkness In
Obituary took the stage early, around 9:30. The Fonda had the sound dialed perfectly. Unlike many death metal bands with blast beats and riffs with a million notes, Obituary’s music is meat and potatoes, almost bordering on punk. Still, when mixed correctly, it is devastating.
John Tardy’s voice was as brutal as usual. It’s incredible at 50+; the guy can still deliver as he does. There were a few points when he missed a line or two, but the fact that he pulls extreme vocals like this off is miraculous, although it’s worth noting he does so with a lot of reverb and delay.
As always, the band played like a juggernaut, with Donald and Terry holding down the rhythm for Kenny and Trever to assault the crowd with their signature guitar twin attack. In addition, Kenny Andew’s guitar solos improve as his tenure in the band continues.
The only downer was much of the set consisted of songs on the new album, which is top-notch, but the new songs are more verse/chorus structures and get a little boring live. On the other hand, the older material was extraordinary because, at times, it didn’t even make sense other than it was one riff heavier than the last.
But this is just a minor complaint. Come see this tour if it reaches a city near you!!
A Lesson in Vengeance
Visions in My Head
The Wrong Time
Find the Arise
Weaponize the Hate
My Will to Live
Chopped in Half
Turned Inside Out
Dying of Everything
I’m in Pain
Slowly We Rot
Cat Scratch Fever
Apr 28 – Charlotte, NC @ The Underground Apr 29 – Virginia Beach, VA @ Elevation 27 May 01 – Baltimore, MD @ Baltimore Soundstage May 02 – Philadelphia, PA @ Brooklyn Bowl May 04 – New York, NY @ Irving Plaza May 05 – Boston, MA @ The Middle East May 06 – Montreal, QC @ Theatre Fairmount May 07 – Toronto, ON @ The Phoenix Concert Theatre May 09 – Chicago, IL @ Metro May 10 – Minneapolis, MN @ Fine Line May 11 – Omaha, NE @ The Waiting Room * May 12 – Englewood, CO @ Gothic Theatre * May 13 – Salt Lake City, UT @ The Complex May 15 – Seattle, WA @ El Corazon May 16 – Portland, OR @ Hawthorne Theatre May 18 – Berkley, CA @ UC Theatre May 19 – Los Angeles, CA @ Fonda Theatre May 20 – Mesa, AZ @ Nile Theater May 22 – Austin, TX @ Mohawk May 23 – Dallas, TX @ Granada Theatre May 24 – Houston, TX @ White Oak Music Hall May 26 – St. Louis, MO @ Red Flag May 28 – Louisville, KY @ Headliner Music Hall
The 80s thrash legends Dark Angel sold out three nights in a row at the Teragram in Los Angeles when they announced they would be playing their 1986 classic “Darkness Descends” in its entirety. The album is considered by many (including myself) to be one of the finest thrash albums ever recorded and still stands up today. But, unfortunately, these shows were already booked when the universe threw a giant wrench in the mix with the passing of founding member guitarist Jim Durkin.
As the date drew nearer, Dark Angel announced the shows would still go on, and Gene Hoglan’s wifeLaura Christine would cover Jim Durkin’s guitar duties. I didn’t know how this would work out, but I decided to withhold my judgment.
We got to the show just before Dark Angel and missed Evil Dead, which I was OK with because I’ve never considered them better than a third-tier thrash band. The Teragram was packed but not oversold, which is nice. The Teragram is a fantastic venue, and I wish they would book more metal shows there.
The band opened with “We Have Arrived”from their debut album of the same name. Unfortunately, this song is from a period of the band’s history when they still needed to find their groove, and it sounds pretty dated now and was an odd choice. They followed with “Time Does Not Heal” from the very disappointing/unlistenable album of the same name, which also missed its mark with the crowd, but all of that changed when they ripped into “Never To Rise Again”, “No One Answers”, and “Death Of Innocence” from the album Leave Scars. At this point, the mosh bit grew, foreshadowing what was to would come.
They began playing the Darkness Descends album in track order, starting with “Darkness Descends”. Interestingly, one of the first beats would be copied almost note-for-note by Metallica two years later on the song “One” on Justice For All. So go back and listen to both songs side-by-side if you don’t believe me.
Three of the musicians onstage (Gene Hoglan, Eric Meyer, and Mike Gonzalez) had all played on Darkness Descends, but singer Ron Rinehart joined the group on the next album. While I much prefer original vocalist Don Doty to Rinehart, Ron did a great job holding down vocal duties and took nothing away from the show, and neither did Laura Christine. Both musicians held their own as consummate professionals.
The band ripped through the seven songs on Darkness Descends like it was still 1986, and the crowd responded accordingly with manic thrashing, moshing, and stage diving. Some of the highlights included “Hunger of The Undead” (which the band had never performed live till now), a smattering of the heaviest riffs from the instrumental “Older Than Time Itself” to break up some songs, and perhaps the most excellent thrash song of all time “Black Prophecies” to drive things over the top.
All things said, this is 80s thrash as good as it can possibly be done, and if you were there, consider yourself lucky, and if Dark Angel ever decides to take this on the road, this show is a must-see!
We Have Arrived
Time Does Not Heal
Never to Rise Again
No One Answers
Death Of Innocence
The Burning of Sodom
Hunger of the Undead
Death Is Certain (Life Is Not)
Perish in Flames (with Older Than Time Itself riffs)
This post was edited on 4/30 to correct some mistakes in the setlist that were pointed out on Facebook here:
This past weekend I caught the recent Obituary, Carcass, and Amon Armoth show at the Kia Forum in Los Angeles, and here is a quick review of it.
As always, Obituary was incredible, and they opened on the bill. However, there was a giant fly in the ointment. Their set was WAY TOO SHORT and consisted only of the following:
A Lesson in Vengeance
Visions in My Head
Circle of the Tyrants
The Wrong Time
Given that “Redneck Stomp” is an instrumental, “Circle of the Tyrants” is a Celtic Frost cover, and “The Wrong Time” is a new song, it left the crowd starved for that brutal classic material from albums such as “Cause of Death” and “Slowly We Rot“. I wasn’t a massive fan of their latest single, “The Wrong Time,” but the material works live, so the song has grown on me.
Here is a video shot by a fan that does a reasonably good job of summing up the night.
The Kia show was my second time seeing Carcass in recent months. Unfortunately, the band’s set was much shorter and less inspiring than their show at Psycho Fest. Aside from “Incarnated Solvent Abuse” the set consisted of all post-Heartwork era material, forgoing the early grindcore period, and their short setlist was as follows:
Kelly’s Meat Emporium
Incarnated Solvent Abuse
This Mortal Coil
Dance of Ixtab (Psychopomp & Circumstance March No. 1 in B)
The Scythe’s Remorseless Swing
Corporal Jigsore Quandary
Amon Armoth’s production demands were the primary cause of Obituary’s and Carcass’s truncated sets. I knew Amon Armoth was big, but I never realized the monsters they’d become. Their production was insane and matched the greatness of Iron Maiden’s 1985 Powerslave tour (which was the first show I ever saw). Amon Armoth is trying to take the mantle of this generation’s Iron Maiden, and that’s big money.
Amon Armoth sounded great — even too great. The drums we played tight to a click track, the vocals had backing tracks coming in, and I suspect there was even some augmentation of the guitars at points.
Despite how incredible the production was, how great the sound was, and how crazy the stage show was when metal reaches this level of perfection, it also loses much of its grit. Unfortunately, this was the case here. I would rather see an underground band sweating it out, playing on stage volume, and killing it in a bar than see some over-polished corporate metal show.
I didn’t even make it through the entire set, but it was as follows:
Guardians of Asgaard
Deceiver of the Gods
Oden Owns You All
The Pursuit of Vikings
The Great Heathen Army
Find a Way or Make One
Destroyer of the Universe
Put Your Back Into the Oar
Cry of the Black Birds
The Way of Vikings
Raise Your Horns
Twilight of the Thunder God
The Kia Forum
The Kia Forum is a rebranded version of the original Forum in Inglewood and a poor choice for this show. Possibly because of the size of Amon Armoth’s set, they required a space this massive. YouTube Theatre or Hollywood Palladium would have been better for this event. The forum was built in 1987 but seemed much older: Factor in $60 parking and $28 self-serve beers, and it’s going to take a lot of work to get me back to Kia Forum – unless it’s something completely mind-blowing.
Kings Of Thrash is a Megadeth tribute band consisting of former members of Megadeth David Ellefson (bass), Chris Poland (guitar on Peace Sells and Killing Is My Business), Jeff Young (guitar So Far So Good, So What?) along with musicians Chaz Leon (guitar/vocals), and Fred Aching (drums). To date, they have played only four shows but have hinted a more extensive tour is coming.
Kings Of Thrash sold out The Whiskey in Hollywood for this October 15th show. The setlist consisted of So Far, So Good, So What and Killing Is My Business, and Business Is Good, played in their entirety (almost), and a few songs from Peace Sells.
The best part of the show was that the band performed many deep cuts from the first classic albums that Megadeth may have played live on stage. The crowd responded strongly to the early material, especially Killing Is My Businessthrashers like “Mechanix” and “Rattlehead”. Predictably, the mosh pit on the floor got so violent that people were getting carried out. Nevertheless, it was great to see this response from an audience that probably wasn’t alive when these songs came out, judging by the average age in the crowd.
The encore was also great, even throwing in some deeper cuts from Peace Sells like “Devil’s Island” and “Wake Up Dead”. Chaz Leon and Fred Aching did commendable jobs covering their roles in the band. It’s also worth noting that Chris Poland is an absolute savage on guitar and is the best guitar player that has ever been in Megadeth.
Nothing was necessarily bad, though the was some room for improvement. One was the sound. When the band came out, they sounded perfect, but singer Chaz Leon complained about the monitors so much in the first few songs it caused the soundman to scramble the sound for the show’s first half altogether.
Jeff Young seemed like he was playing relatively slow, at a few points, dragging down the tempo of the entire band.
The worst thing about the show was the inclusion of Chris Poland as a “special guest”. He only performed four or five songs with the band as a third guitarist. When the show’s Killing As My Business portion started, Jeff should have exited the stage, and Chris should have been the sole lead guitar player, as he originally played and wrote the material.
If you are a hardcore Megadeth fan and Kings Of Thrash decides to take this show back on the road, this is definitely a once-in-a-lifetime experience worth checking out. This same night Testament, Death Angel, and Exodus were also playing in town…I chose Kings Of Thrash, and so should you!
Here is one video of “502” performed at the same show as this review.
Kings Of Thrash Setlist
So Far, So Good, So What
Into the Lungs of Hell
Set the World Afire
Anarchy in the U.K.
In My Darkest Hour
Hook in Mouth
Killing Is My Business and Business Is Good
Last Rites/Loved to Deth
Killing Is My Business… And Business Is Good
Looking Down the Cross
The Skull Beneath the Skin
Peace Sells, but Who’s Buying?
Wake Up Dead
Good Mourning / Devil’s Island
Past Show Dates
October 12th- Brick by Brick- San Diego
October 13th- Crescent Ballroom- Phoenix, Arizona
October 14th- The Space- Las Vegas
October 15th- Whisky A Go Go- West Hollywood, California
Psycho Vegas 2022 Festival Review – Best/Worst Bands & More
I attended Psycho Vegas this past weekend and wrote this show review of the best/worst bands. For those who don’t know, Psycho Las Vegas is a metal festival in Vegas every year in late August. Because nobody reads long blog posts anymore, I divided this article into clickable bits, so you can quickly jump around to the best bands, worst bands, and overall festival review.
Best Bands Psyco Vegas 2022 (Ranked In Order)
Mercyful Fate: They were the headliner, and their set was perfect, and I’m not sure what could have been done to improve it. Read the full review here.
Blood Incantation: By far the heaviest band of the entire festival. They shook the floor with their too-early set on day #2. Full review here.
Carcass: These UK death metal veterans absolutely crushed it on day #1. Full review here.
Cirith Ungol: This obscure doom metal band that has been around since 1971 delivered a shockingly awesome set to a packed house on a side stage right before Mercyful Fate. See why they still kick ass here.
Bombers: A Motorhead cover band consisting of members of Abbath not only played Lemmy’s classics to a tee, but frontman Abbath also made the show highly entertaining.Read more here.
Midnight: These Ohio maniacs delivered an amazing high-energy set bedecked in leather jackets and hoods in the 110-degree heat at Psyco Swim. Some now notorious mayhem in the audience further enhanced the set.Read all about it here.
MGLA: This Polish black metal band played way too early on Friday for a completely packed house at 2:30 in the afternoon and destroyed. See more here.
Worst Bands Psyco Vegas 2022 (Ranked In Order)
Primitive Man: This doom metal band was the worst at the entire festival and seem to get booked at Psycho every year. They set the whole doom metal movement backward, one show at a time. See why they suck here.
While none of these bands sucked, they didn’t live up to the hype and are worth mentioning.
Emperor: By far the most hyped band of the entire festival, these Norwegian black metal Vets were far from being lame but weren’t life-changing either. More here.
Rotting Christ: Many people love this Greek black metal band, but they are pretty Hot Topic and play lip-synching to a track. Not impressive at all. Read more here.
Mayhem: While their set at Psycho was quite good, the legend of Mayhem is cooler than their live sets. More here.
Why Are These Bands Even Here at Psyco Vegas 2022?
One of my biggest complaints about the festival is that quite a few acts didn’t make sense even being at the festival. I’m not sure if someone on the staff was super woke and wanted some diversity, but none of this worked.
Bone Thugs N Harmony – I did not see this show because I was at Blood Incantation; this booking made no sense. Bone Thugs N Harmony sucked in the 90s, and from what I’m told, they still blow today.
Method Man and Raekwon – I like Wu-Tang, but they had prime billing and were just mailing it in to a disinterested crowd on Sunday. Horrible. More here.
Bridge City Sinners – This country/folk act was the first band I saw at Pschofest, and well… Read more here.
There were many other examples of this; I just listed some of the most annoying above.
Honorable Mention Bands Psyco Vegas 2022
Intronaut – This LA-based prog-jazz-metal band delivered a superb set very late on Saturday night. Read more here.
No/Mas – Despite having a silly name, these guys supplied a brutal set on Saturday on one of the side stages. More here.
Mothership – This Dallas-based stoner rock band played a fantastic set in the food court on Saturday despite some technical troubles.
Festival Review Day-by-Day 2022
This is a playlist I compiled from the bands mentioned in this blog post. Click on the right-hand corner of this video to see a list of all bands included.
Here are the details on the bands mentioned in my rankings and everything else I saw each day at Psycho listed chronologically,
Thursday 8/18 (Psycho Swim)
The Psycho Swim took place at the Pool at Ayu Dayclub and was an upsell to the main Psycho Festival.
Bridge City Sinners – This Portland-based band played some kind of country folk with violin and banjos, boring the audience. The singer complained about the crowd energy at many points in their set, as if she didn’t understand people had traveled many miles to hear metal, and their low-energy hillbilly music would never connect with this audience.
Elder – Elder sounded great, bringing some heavy Mastodon-style prog metalto the crowd at the pool, only to get rained out two songs into their set.
Midnight – Midnight took the stage at 11 PM. This Ohio-based band is easily my favorite metal band of the last 15 years, whom I discovered at Psychofest 2021. They played one of the best sets I’ve seen from them, clad in leather jackets and masks in the 110-degree heat. During their set, all hell broke loose when a girl threw a drink in my friend’s face. After a bit of arguing, they started fighting, and the girl pulled my friend’s top off in the struggle. After that, topless combat started and restarted thrice as the band played on. Cellphones, wallets, threats, and insults flew everywhere in the mayhem, and the incident went down as the most notorious of Psycho 2022. If anyone has a video of this debacle (and I know someone does) — contact me here. I would love to see it.
Elder (Part 2) – Elder continued their rained-out set inside on one of the side stages. Again, they are a good band but start to sound like a low-rent Mastodon after 3 or 4 songs – a little goes a long way.
Friday 8/19 (Day 1)
MGLA – This controversial Polish black-metal band MGLA (Polish for “Fog”) played in a way-too-early set at 2:30 at the event center. MGLA has been canceled from European festival events because of false claims by German Antifa that they are NSBM (National Socialist Black Metal). Due to such problems, seeing them live is a rare circumstance. MGLA had the Event Center packed early. Nevertheless, MGLA punched above their weight and sounded far better than they do in their studio recordings. Perhaps this is because the touring group consisted of studio musicians who didn’t play on the albums. Regardless MGLA sounded evil as hell and made it onto my list of best bands at Psycho! See them if you ever have the opportunity.
Carcass – Admittedly, I had lost interest in Carcass over the years. I saw them around 2011 and thought they were OK. However, at Psycho, they were unbelievable. Everything about their set ruled — from song choices (mostly 90s material) to the band’s sound, lighting, and energy. I’m not sure what changes the band made over the last ten years, but it’s working! Also worth noting, Bill Steer may be the most underrated guitarist in metal – the guy doesn’t get enough credit for being the savage he is.
Mayhem – I had recently seen Mayhem in LA and wasn’t impressed. Consisting of only one original member (Necrobutcher) – the story of Mayhem is cooler than seeing them live. But, to be fair, the band’s set that day was pretty great, so I shouldn’t judge them too harshly.
Emperor – Undoubtedly, Emperor was the most hyped band of the entire festival because this would be their first US show in 15 years. I have tried to listen to Emperor over the years, and I never got it. I didn’t hate them, but they weren’t anything I went back to either. Maybe it would come together live. I expected the band to take the stage in corpsepaint, but I was surprised to see the singer come out looking like he should be an accountant. The music was well played and quite tight, but it wasn’t life-changing either.
Nuclear Assault – Thrash metal veterans Nuclear Assault was the last big band to take the stage on Friday at midnight. I’m not sure what went wrong here. Maybe the band took a decent amount of money to play the show and never rehearsed, or perhaps it was too hot and late to play outside at the pool, but Nuclear Assault was terrible! John Connely kept making jokes like, “This was a lot easier when we were 25,” which made it even more evident that they were struggling. Nevertheless, it was so bad I left after three songs.
Akhlys – The last band I saw of the night was Akhlys, who was still playing inside. The band sounded OK but played to a track with a lot of prerecorded stuff. Playing to a track was a disturbing trend used by many bands at the festival. I am not a fan of this type of cheating.
Saturday 8/20 (Day 2)
Saturday was the worst day of the festival by far, but there were a few bright spots.
Blood Incantation – I had heard this band a bit before, and they didn’t make an impression on me for some reason. I sell many of their albums, so I decided to check out their live set as work research. On the festival’s second day, Psycho opened the upstairs ballroom and added a stage where many of the bigger bands would play. Blood Incantation played in a packed room and was amazing. They were the heaviest band of the entire festival, approaching Obituary levels of heaviness at times (this is not something I say lightly). Like MGLA, they are even better in a live environment than on records. The singer’s frequent jokes between songs about “Thanks for resisting the temptation to see Bone Thugs N Harmony” won points with me. Blood Incantation was easily the second-best band to play Psychofest, and you should definitely see them live if you ever have the chance.
Primitive Man – These guys were my pick as the worst band at Psycho Unlimited. If you took a guitar and bass, put them on stands, allowed them to feedback at an annoying volume while walking around in a circle and kicking them intermittently while occasionally hitting some drums at 60 BPM and screaming like you’ve been constipated for two weeks you would be able to recreate their sound perfectly. This isn’t a slam on the funeral doom genre because bands like Bell Witch and Mournful Congregation play this same style of music 1000 times better. Yet, somehow these guys get booked every year at Psycho and given decent time slots. I wasn’t the only person who felt this way, as you could see many leaving the room in droves.
Liturgy – I could only watch about a minute of the girl-fronted black metal band. As soon as I heard the vocals, I knew it wasn’t for me.
No/Mas – After a quick exit from Liturgy, I went back downstairs to check out No/Mas, who is a brutal hardcore-infused death metal band. They had some excellent breakdowns. The guitar player’s rhythm playing is awe-inspiring. I will definitely be looking for more from these guys.
Bombers – Bombers is a side-project Motorhead cover band featuring members of Abbath and was unbelievable. Frontman Abbath not only recreates Lemmy’s vocals/bass flawlessly (it’s a lot harder than it looks), he even nails the between-song banter and copies all of Lem’s mannerisms exactly, never breaking character for a second. He does all of this dressed exactly like him with some fake facial hair and English prosthetic warts affixed to his face. They also picked an excellent selection of Motorhead tunes that made this rare show even better. If you ever have a chance to see Bombers, you absolutely should.
Suicidal Tendencies – Easily one of the worst bands of the festival; pretty much everything about their performance was 1000% cringe. Sole original member Mike Muir didn’t have heavyweight musicians like Dave Lombardo in the band anymore. Mike’s never-ending cheezy rants before the annoying extended 10-minute versions of the songs just worsened it. Muir ran around the stage doing his signature suicidal dance, but the now older Muir didn’t look like he could move his neck anymore and looked profoundly comical. Add to the fact that many of the songs don’t stand up anymore (some, not all) make me think Suicidal should hang it up and hang on to their legacy.
At The Gates – I didn’t catch At The Gates because the pool hit capacity. They are far from my favorite band anyways.
Elder (Show #3) – Elder is OK, but I had my fill by show three. I left after two songs.
Dance With The Dead – Some raver DJ crap with a guy playing guitar. Horrible. I’m not even sure why these guys got booked.
Intronaut – Despite having a 1:45 AM time slot, LA’s Intronaut pulled a decent crowd at Redtail. Honestly, I’m not a massive fan of their brand of Jazz/Prog metal, but they do what they do so well you can’t help but like it. The band manages to walk a tight line between Mastodon-style heavy parts fused with odd-time jazz passages, with bassist Joe Lester’s flawless playing being the glue that holds it together. The arrangements are clever enough for the band to switch gears like this without alienating any die-hard metalheads with the jazz passages. The band had not played live in almost two and a half years; another reason Intronaut made my list of honorable mentions. You should definitely consider catching them live.
Sunday 8/21 (Day 3)
Katatonia – I don’t know anything about these guys, but this Swedish Goth act is cringy and cheesy as fuck. I couldn’t even make it through two songs. Horrible.
Paradise Lost– This veteran English goth rock band is Type O Negative minus the cool. I’m not saying they were terrible because they weren’t. Fun Fact: The band has been the same five guys in the lineup since the early 90s, which is super rare and neat.
Geneva Jacuzzi – Horrid, electronic DJ synth-pop band whose music is best suited as the soundtrack for a gay bar. I have no idea why these guys got booked at a metal festival. Truly vomit-inducing.
Cirith Ungol – Ventura’s Cirith Ungolhas been around since 1971 and is a band I never thought I would get a chance to see live. But, despite their advanced age, these guys killed it. Honestly, I would have moved them even higher had they stuck to only classic material; they featured at least two or three new songs in their set. None of these songs sucked; they just were not what I came to hear. I would have been thrilled to see them play the King of the Dead album in track order. A guy can wish. Nevertheless, the band plowed through several classics like “King of the Dead”, “Black Machine”, and “Atom Smasher”. Of note is how shockingly awesome Tim Baker’s voice still sounds, almost better than it did back in the day. New guitarist Jim Barraza is a beast and is so good he makes virtuosity look easy! I must say I was very impressed with the show and would see these guys again for sure.
Mercyful Fate – Possibly the most important extreme metal band of all time would be the headliners on the festival’s final day. I felt they would be good despite having only two original members, King Diamond and Hank Sherman, but they over-delivered. Their set looked incredible, and the band opened up with “The Oath.” Everything about the show was first class, and I don’t think anything could’ve been improved. King Diamond’svoice is still top-notch, as was the band. The Setlist consisted of all songs from the first EP and two albums, plus one new song that the band tested on the audience. Highlights included “A Dangerous Meeting,” “Corpse Without A Soul” and “Satan’s Fall.” Mercyful fate was by far the best band of Psycho.
Mercyful Fate Setlist
A Corpse Without Soul
The Jackal of Salzburg
Curse of the Pharaohs
A Dangerous Meeting
Doomed by the Living Dead
Come to the Sabbath
Method Man and Raekwon – I was not sure why they were booked. Don’t get me wrong; I have nothing against hip-hop, and during the 90s doldrums of metal, I was listening to rap almost exclusively. The Wu-Tang Clan was one of my favorites; I still listen to them occasionally. However, Redman and Raekwon were mailing it in, they didn’t seem like they really cared about the show, and we’re just playing bits of songs and fucking around. What is even crazier is the stellar timeslot they got. Again, one of those bands that didn’t need to be there.
Rotting Christ – this Greek black metal band would be the last band of the festival. I included this band in my list of overhyped bands not because they suck; I don’t get what they do. The entire show is on a track. Many of the drums and vocals aren’t even performed live. When you get to this point of playing to a recording, you are lip-synching and are black metal Milli Vanilli. Rotting Christ is Hot Topic black metal, and I am not a fan.
Overall Psycho Festival Review
All in all, Psycho Vegas 2022 was a great time. Was it as good as Psychofest 2021? No, it wasn’t. Two big things stick out in my mind for this.
One is the change of location from Mandalay bay to Resorts World. Resorts World is a newer hotel which is basically three crappy older hotels on the ghetto end of the strip (Crockford, Conrads, and the Hilton) joined by a casino area and re-branded. For several reasons, it’s a big step down from Mandalay Bay.
Among the problems is the way Resorts World is thrown together. Many of the bands were playing in converted sports bars. The only dining in the hotel consists of the food court area, which is consistently terrible, no matter what restaurant you go to. When you are at an all-day show, eating there makes a lot of sense, and none of the choices are good. To add insult to injury, it’s expensive. If you are going to Vegas and want to complain about money, it is not your town, and I get that. The difference between Resorts World and Mandalay Bay is if you spend $30 on lunch, at Mandalay Bay, you could be eating the finest bowl of jambalaya at House of Blues. At Resorts World, you’re spending $30 on some barely edible hamburgers and french fries.
Also, the staff is quite disorganized and inexperienced. Going from show to show is a constant trip through various metal detectors and security protocols. Some venues allow you to bring alcohol from other places at the show. Some don’t. Some prices at bars are pretty reasonable by Vegas standards, and some are ridiculous and seem to fluctuate depending on who’s serving you. Mandalay Bay is much more professional and upscale; hopefully, the organizers will move it back for 2023.
The other problem with the festival is that it seems like one of the bookers is force-fitting bands that don’t belong on the bill. I’m not sure if some woke staff member is trying to include some diversity in the show with hip-hop acts, but I can assure you it is not working. Just inside the metal genre, it is already highly diverse with countless sub-genres, and tens of thousands of bands worldwide would cut off their left arm to play this festival and do it for nothing. Hopefully, they will keep it to what people are paying their ticket prices for next year.
Overall, I feel like I got my money’s worth from my $450 ticket and look forward to going again next year. Hopefully, the organizers will read this review and iron out some of the hiccups before 2023.
We decided to take a chance and drive an hour outside of LA to catch Napalm Death playing with Final Conflict at Transplants Brewing Company in Palmdale, CA, on April 15, 2022. I wasn’t sure what to expect from the venue, but I have to say I was thoroughly impressed. Transplants Brewing Company is easily better than EVERY venue in Los Angeles right now. There was plenty of free parking (as opposed to the $30 many venues in LA charge), 7$ beers brewed in-house, a friendly staff, and the place has a great sounding room. If you live in LA, it is definitely worth the trip.
A local support act was on the bill and was actually pretty good, not life-changing good, but they were decent. I wanted to link to a place where you could find their music, but because of the crazy death metal font they used for their logo, I have no idea what the band’s name was (see flyer below). If anybody knows, feel free to drop it in the comments.
Next up was Final Conflict from Long Beach, CA. Palmdale was a one-off show, as Napalm Death continues their US tour with Arch Enemy and Behemoth starting in Tempe. I don’t know a ton about Final Conflict other than the fact they’ve been around forever, and I was familiar with some of their better-known songs. The band consisted of only one original member (Jeff Harp on guitar) and was backed up by Anthony Robles and Nick Manning, who play with a number of other punk rock bands, including DI.
Final Conflict dished out some competent Cro-mags style punk/hardcore that was well received by the crowd and got the mosh pit swirling at a furious pace. Again, nothing life-changing but delivered in such a professional manner; you can’t put it down either – especially considering the ages of some of the long-time members.
Next up was English grindcore legends Napalm Death, who, if you want to get technical about it, consist of no original members. However, the current line-up has remained relatively steady since the early 90s. Guitarist Mich Harris does not tour with the band, and sitting in for him is touring guitarist John Cooke who, in my opinion, is not that good, but because of the nature of grindcore music, his sloppy playing doesn’t take much away either.
That band delivered a blistering set, consisting of a lot of material from their last two releases Apex Predator – Easy Meat (2015) and Throes of Joy in the Jaws of Defeatism (2020), as well as quite a few classics from the 80s and 90s with two cover songs (including the Dead Kennedy’s “Nazi Punks Fuck Off”). Bassist Shane Embury is an absolute monster, and drummer Danny Herrara is one of the best skinsman in the business. The duo is a formidable rhythm section. Vocalist “Barney” Greenway hasn’t lost a thing over the years vocal-wise and may have even improved. Unfortunately, his stage presence is a bit goofy, and he often looks like he’s having a seizure as he dances on stage. In addition, some of his far-left rants between songs leave a lot to be desired and make me thankful I can’t understand the lyrics on their recordings. If you could make out what he was saying, I imagine it would sound like the rantings of a possessed MSNBC host.
Napalm Death hasn’t lost a thing over the years and solidly deserve their position as the biggest band in grindcore because they play this form of music better than everyone.
Catch them on tour with Arch Enemy and Behemoth in these cities through May.
Napalm Death On Tour With Behemoth and Arch Enemy
Sat 16.04.2022 Tempe, AZ – Marquee Theatre Mon 18.04.2022 San Antonio, TX – The Aztec Theatre Tue 19.04.2022 Dallas, TX – Amplified Live Thu 21.04.2022 St Petersburg, FL – Jannus Live Fri 22.04.2022 Atlanta, GA – The Eastern Sat 23.04.2022 Charlotte. NC – The Fillmore Charlotte Mon 25.04.2022 Toronto, ON – Rebel Tue 26.04.2022 Montreal, QC – Mtelus Thu 28.04.2022 New York, NY – Terminal 5 Fri 29.04.2022 Philadelphia, PA – The Fillmore Philadelphia Sat 30.04.2022 Worcester, MA – Palladium Mon 02.05.2022 Chicago, IL – The Riviera Theatre Wed 04.05.2022 Denver, CO – Ogden Theatre Sat 07.05.2022 Salt Lake City, UT – The Depot Mon 09.05.2022 Seattle, WA – Showbox SoDo Tue 10.05.2022 Vancouver, BC – Vogue Theatre Wed 11.05.2022 Portland, OR – Roseland Theater Fri 13.05.2022 Berkeley, CA – The UC Theatre Sun 15.05.2022 Los Angeles, CA – The Hollywood Palladium NAPALM DEATH U.S. headline shows: Wed 13.04.2022 Fresno, CA – Strummers + Elder Devil Thu 14.04.2022 San Diego, CA – Soda Bar + Deaf Club Fri 15.04.2022 Palmdale, CA – Transplants + Final Conflict Wed 27.04.2022 Syracuse, NY – The Lost Horizon + Fed Ash Tue 03.05.2022 St. Paul, MN – Turf Club + Pig Destroyer Fri 06.05.2022 Grand Junction, CO – Mesa Theater + Unto Others